Sunday, July 25, 2010

Reflecting on Architecture



This photograph was taken during a construction tour of the new Beverly Wilshire project in Beverly Hills. The alternating color shapes are reflections of the new building as seen across the alley. The two colors of exterior glass have nearly identical visible light transmission and are only subtly noticeable on the building's interior but create a distinct pattern on the exterior.

Sunday, July 11, 2010

On the Verge



This 2x8 Installation at the recent Dwell on Design conference in LA features painted scrims and LED panels suspended above the winning entries for the student design competition. The LED panels were provided by IOS Light. The panels can be used illumination of shelving or independentlyand consist of a glass panel, LEDs arrayed along one or both edges, and an internal mesh to diffuse the light. The can range between $60-250/sf depending on configuration. Panels greater that 12" in depth require leds at both edges.

Monday, June 21, 2010

Got Milk?


The Teknion Showroom in Santa Monica, design by Vanderbyl Design, features white lattice panels that appear from afar to be painted MDF but are actually water jet cut panels composed of recycled milk cartons.

Sunday, May 9, 2010

Check Please



The check carpet at the leasing office of 1600 North Vine is a throwback to Hollywood glamour of the 1930s. Together with the red carpet at the living room of the W Hotel which shares the same block, a subtle reminder to watch where you step in the new Hollywood.

Sunday, May 2, 2010

Heart on the Vine



Spotted this heart in the parking lot of the former Big Lots and the future home of the Acadamy of Motion Pictures Arts and Sciences Museum on Vine Street in Hollywood. Curious to see the heart so carefully guarded by chain link and barbed wire.

Friday, February 19, 2010

Out of the Shadows Hollywood



Located just outside the entry to the new W Hotel on Hollywood Boulevard, this art installation by German artist Christian Moeller is fabricated from anodized aluminum and uses shadow density generated by projecting horizontal tabs to create an image of hands pushing out into space. Christian Moeller is Professor of Design/Media Arts at UCLA. The work was funded jointly by the Community Redevelopment Agency and Gatehouse Capital, one of the joint developers (with Legacy Parnters) of the new $600 million Hollywood and Vine Mixed-Use Development.

Sunday, October 4, 2009

Getting the LED Out











I just made a site visit to one of my projects currently under construction. The design includes the introduction of illuminated canopy elements spanning above a previously poorly lit and underused courtyard and streetfront entry along Wilshire Boulevard in west Los Angeles. The LED panels were recently installed and powered up along with the new exterior glazing at the ground floor. The polycarbonate panels that will function as lenses for the canopy have yet to be installed -- the individual light sources will be diffused -- but there is something intriguing about seeing the LED matrix revealed. The long life of the LEDs mean that replacement of the fixtures will be minimized over the life of the project and the quality and color of the light should remain uniform. Looking forward to seeing the installation of the new courtyard paving and furnishings.